To have idea how those Sylenth1 basses sound like, check samples in here - all made with Sylenth1: To sound top with everything else, not just soloed First of all make a 'solid' bass, make track, mix properly and then at last going trough mix 'fix' the bass and thats what you should aim to. Many people want to make super good bass from begging of track and want them to sound so phat and rolling with just kick-bass loop. Its up to youīut to have good bass you have to have good kick, that fits with bass or opposite. Remember: less is more! Cutting sometimes is better than boostingĪs i do Goa trance i love to soften/put down mids so i can have melodies dominant in mid range without interupting too much with bassline, same way i put down high on melodies and i put up highs on bass so its still cutting trough and sound rolling. This is based on my taste and some advices from very skilled and respected artists. NOTE: after and fine processing i do once track is done, channels and group well balanced. few ms break between notes which you cant really clearly hear, but bass will be much more rolling that way LFO tool - sidechaining every 1/16th of the bass so there are no notes overlaping. again depends of the sound and how it fits with rest of the track Fabfilter Pro-Q - cuting low end with 12-24 dB at 30-35Hz. Oxford Dynamics compresor - Using expander and compressor to cut the peaks. or you can just use high boost/high shelfing but with Saturn i feel like i can do it more precisely someone use Quadrafuzz like Talpa but both are great. sometimes i add up to 10dB of high freqs depends of sound i want to achive. Fabfilter Saturn to add saturation, make attack/click up. Making good envelope and both phases (saw + sine for sub), detuning and adding stereo if needed (remember to put bellow 100 hz in mono!!) then i start with after processing in the mixer: here is something from my experience and how i do basses As for U-He i heard Diva is superb, you should try that one too! I cant say for Zebra but I found Sylenth1 the easiest and i used it in my last 10 or so. often just adding a multiband dynamics in ableton without any compression going on giv es the bass a big boost in richness und clarity.Īdd a lowcut, multiband distortion and compression, eqing and so on is a long process to get it right.do copies, try another fx chain, compare the copies. Got to find the sweet spot with these parameters: vcf1 cutoff, the amount of env2 effecting the cutoff and env2 delay.Įven having this well set it just doesn't sound that good.
Vcf1 filter type varies, no resonance, no drive or whatever. The osc is set to retrigger and env1 i assigned (standard) Of course no further fx in the osc itself, no width and so on. I'm still trying to find the best one and sometimes also a different phase did the trick. He won one Academy Award ( The Lion King ), four Satellite Awards ( The Thin Red Line, Gladiator, The Last Samurai, Inception ), two Golden Globe Awards ( The Lion King, Gladiator ), four Grammy Awards (two prizes for The Lion King, Crimson Tide.I use one osc with a saw wave. Of them, about 50 soundtracks and songs were nominated for awards.
HANS ZIMMER IS THE BEST OF THE BESTS! Time is an amazing song, as is the rest of the lp.
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My vote for the movie is all because of 'time'.
Yet another legendary piece of music by zimmer. He featured in the music video for The Buggles' single 'Video Killed the Radio Star', which became a worldwide hit. German-born composer Hans Zimmer is recognized as one of Hollywood's most innovative musical talents. By continuing to use Pastebin, you agree to our use of cookies as described in the Cookies Policy.
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